This blog will inevitably contain spoilers! You have been warned, so if you are heading to go and see La La Land, look away now. However, if you want to know why you should go and see it, and dont mind hearing a little about what its about then read on.

This week, as a bit of a celebration for getting a part of my dissertation completed I went out on a 2 for 1 deal at the local cinema to watch the multi oscar nominated La La Land. Outside of a High school musical (3) it was the only the second musical I have seen at the cinema, having been to see Evita in 1996/7… (hmm) Anyway, La La Land it was, and it served up a distraction of colour, vibrancy and music compared to the events in the world right now. But here are 8 reasons why youth workers should go and see this film.

  1.  Because evLa La Land (2016) Posterery now and then go and see something that might be different, a change from the normal might provoke something, an emotion, a reflection – Musicals probably wouldn’t have been my thing up until recently, then probably undergoing many many repeats of High School musical and Disney films with my daughter, then the films with music like School of Rock, Rock of Ages, Les Mis, and the magnificent Sing Street (sadly overlooked at the Oscars) , musical films have become family favourites, and personally something uplifting, poetic and yes emotional. That’s not a bad thing. Doing something a bit different is good for us. Shakes us up a bit.
  2. La La Land isnt meant to have Fred Astaire or Ginger Rogers as lead roles, but two ‘ordinary actors’ uplifting themselves to these parts, as if ‘normal’ people being enveloped by song, and dance, they arent meant to be perfect in every routine, and this is refreshing its a reminder to us in the roles that we have with young people. They take what they have and work and practice and develop their skills and gifts.
  3. La La Land required months of rehearsals, but theres a number of ‘one take’ scenes. Youthwork is like this, in the present moment there might be only one opportunity to ask the right question, do the creative thing, in effect perform, but that ongoing reflections and rehearsals are important for the active live moments.
  4. At the heart of La La Land is a story about Jazz, about improvisation and so its only appropriate that there were some long ‘takes’ which had the freedom of the actors acting with the music and the scene. Improvisation is part of being a youthworker, it is part of theology, as Benson says: ‘in the beginning, there was improvisation’, we need to reflect on reacting and hearing the music from the context we are in, on responding to the cue of God in the midst, of improvising from being prepared. To offer into the space our piece, and to receive from others. (Wells, S, 2005)
  5. ‘The reason you can’t be a radical, is that you’re too much of a traditionalist’ was a line from one musician to another in the film.  When it comes to enabling young people to be radical and take risks – how radical are we going to let them? What traditions of our own practice, heritage, faith, culture might cause us not to take radical steps in youth work ?   Do we hold on the beautiful things and miss the heartbeat of a new walk, a new tone, a new colour.
  6. It was a story about creating music, about creating theatre, about performing and sharing creativity and not always worrying about who will see it, but doing it because it is a vocation, our youth work practice is an art, unpredictable creativity a performance of our vocation. How might we help young people develop their creativity or have space to play their 8 bars in the jazz performances of youth groups.
  7. It had all the hall marks of an old film, the dance numbers, the technicolour, the music – the story in itself was not revolutionary or modern, but it connected because it was played authentically, the characters weren’t flawless, or perfect, but real. Their relationship wasn’t Hollywood, but had ebbs and flows, their career choices weren’t without disagreement, they had stony silences over the dinner table. It evoked something authentic about real life. Something old wasn’t made relevant, it was made authentic. As youth workers, the faith story we help young people navigate within is to be made authentic through us.
  8. Just watch it, it was good enough without it being all these things as well. Take a night off being stupidly busy, get yourself some decent food and have a night to yourself.

Apologies for the spoilers and for anyone who knows far more about theatre and Jazz than i do, there was much that resonated with me in it, is it deserving of the oscar nominations, hmm not sure about that one, definitely some very good performances in its, and it was a positive, bright distraction – but hey this isnt a movie review blog…

 

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